• Category Archives Street Performing
  • Bluegrass Reunion

    We have bluegrass here in NYC, too. In fact, it appears that bluegrass and country are making a comeback in the city with a number of venues featuring it, such as the Baggot Inn, the Parkside Lounge, Barbes, Freddys and Hank’s Saloon in Brooklyn, the Rodeo Bar, Joe’s Pub, The Ear Inn, etc. It may come as a surprise that country and bluegrass would have a following in the city, but frequently, people seek out antidotes to the stresses and complexity of living in such an intense urban environment. Music can be a great release, and complete immersion in a genre like bluegrass, where the lyrics hearken back to a simpler time, can really have a therapeutic effect. Country and bluegrass have had an image stigma , but in many ways, things don’t change that much as far as interpersonal relationships, and perhaps this is why these music genres, with their stories and lyrics, still resonate and find an audience, even among the “sophisticated.”

    The event in the photo was the annual Bluegrass Reunion in Washington Square Park, which was organized by Jeannie (see website here) and draws hundreds, some coming from afar. It’s a true reunion, too; some of the participants have not seen each other for years. The music and weather was great, with numerous little jam sessions happening spontaneously. There were music world luminaries such as Izzy Young and Art D’Lugoff. There were guitars, mandolins, fiddles, double basses, banjos, washtub basses, and the amazing Bob Gurland playing mouth trumpet…


  • Theater for the New City

    As a long-time resident of NYC, I am ashamed to admit that I have never been to a performance of Theater for the New City. That still holds true, because even though I did take photographs for this posting, it was at the tail end of a free performance in the park of Buckle Up. TNC is a leading Off-Off Broadway theater known for its avant-garde, experimental work, radical political plays, and widespread community service (click here for their website). In reading about the company, I have become very impressed with their accomplishments – they have won the Pulitzer Prize for Drama and over 40 OBIE Awards for excellence in every theatrical discipline. Nobel Prize winner Gao Xinjian’s first play in America was performed at TNC in 1997.

    The company produces 30-40 premieres of new American plays each year. Many influential theater artists of the last quarter century have found TNC’s Resident Theater Program instrumental to their careers, among them Sam Shepard and Academy Award Winners Tim Robbins and Adrien Brody. Theater for the New City was founded in 1971 by Crystal Field, George Bartenieff, Theo Barnes, and Lawrence Kornfeld. TNC also founded the Village Halloween Parade with puppeteer Ralph Lee (which broke off to form its own organization in 1973); they still hold the annual Village Halloween Costume Ball…


  • Fête de la Musique

    Posted on by Brian Dubé

    One of the most amazing things about living in New York City is that you can easily miss a major event. Like this one. I learned about this from a coworker in my office at the end of the day (and caught two performances – one in the photo). Make Music New York was NYC’s participation in the international Fête de la Musique, which is celebrated in 340 cities around the world. On the first day of summer, public spaces in all five boroughs become informal musical stages for all New Yorkers, amateurs and professionals, to perform for friends, neighbors, and passers-by, turning the city into a festival of live music making.

    The idea germinated in France in 1982, when a memo was sent from Maurice Fleuret, Director of Music at the Ministry of Culture, to his advisor, Christian Dupavillon, and lamented the fact that the French owned more than 4 million musical instruments, most of them in storage unused. A concept was born to encourage individuals to bring out these instruments, and professionals and amateurs alike would play everywhere, completely freely, indoors and out – in public squares, under porches, on covered walkways, in areas of school playgrounds, in hospital gardens, at entrances to music academies, or under café awnings just for the sheer pleasure of playing. Read about it here.

    This was New York’s first annual celebration. Schedules were available and printed in various publications and on the web. New York was a little late to get on board – I hope that it becomes successful in the coming years. I love the quote from Berthold Auerbach: “Music washes away from the soul the dust of everyday life”

    Posted on by Brian Dubé

  • Artiste Extraordinaire

    Posted on by Brian Dubé

    First, I must confess that the subject of this post, Philippe Petit, is a long-time acquaintance, so this may not be totally objective. For those who do not know him, Philippe’s accomplishments are many: tight-rope walker, unicyclist, magician, juggler, pantomime artist, pickpocket, and the earliest modern-day street juggler in Paris in 1968. But he is best known for his walk between the World Trade Center towers on August 7, 1974. This walk, done without permission, was planned over a period of six years; he made over 200 visits, posing variously as architect, construction worker, and tourist. Many have asked how well he “made” it across, but he didn’t just make it – he did eight crossings over a period of 45 minutes. He has been working the streets of NYC since the 1970s, particularly Sheridan Square and Washington Square Park, where, for years, he was a regular on Sunday afternoons.

    Philippe’s ability to gather and hold a crowd is legendary, as is his tenaciousness – he has been arrested for street performing over 500 times. His show, which is completely silent and frequently punctuated with gags and bits involving the audience, features ball juggling, hat manipulation, unicycling, and club juggling on a slack rope, supported between a tree and lamppost. He creates his performance space by outlining a chalk circle – no one is allowed to step inside. The occasional violator is dealt with cleverly and handily. His show completed, Philippe packs his tools ritualistically and rides off on his unicycle. Only to return for meeting, greeting and the obligatory book signing. Philippe has authored six books. To Reach the Clouds is a wonderful work, telling the story of his twin towers walk. I also recommend episode eight of the Ric Burns documentary, New York – The Center of the World (Part 8), where Philippe is interviewed and “is the spiritual heart of the film,” according to Burns.

    Philippe has done a number of commemorative street performances since 9/11 in Washington Square. This performance was to call awareness to the proposed (and controversial) renovation of the park. When asked why he does what he does: “When I see three oranges, I juggle; when I see two towers, I walk.”

    Posted on by Brian Dubé

  • Dance Parade

    Posted on by Brian Dubé

    The 2007 Dance Parade caught me (and many others) off guard – I had no idea that this event was being held when I ran into it. I would deem it a tremendous success, given that it was a first annual event, with cold weather and rain, which did not deter dancers or observers. The parade worked its way from 32nd Street down Broadway and Fifth Avenue to end in Washington Square Park. The floats turned off towards Sixth Avenue – dancers remained in the park, where a stage was set up. Several hours of dancing ensued, both on and off stage – a DJ provided music.

    The raison d’etre for the parade, you may ask? From Dance Parade’s vision statement: “To celebrate diversity as ‘One Parade with Many Cultures.’ 49 genres are represented.” Click here for a list and more info on their website. Although the parade was not a protest, there was also a political agenda for some: change or repeal of the city’s cabaret law dating back to 1926 (enacted to restrict public lewdness and interracial mingling) – any venue where 3 or more people are dancing and food or drink is served requires a cabaret license. The law has been more aggressively enforced since the 1990s, where it has used to combat quality-of-life complaints and troublesome clubs. Difficult to obtain, only 69 establishments have cabaret licenses in Manhattan.

    Attendance along the parade route was light, but turnout in the park was huge, where participants along with gawkers filled the park plaza. Judging by this year’s revelry, I think this parade will become very successful in the years to come…

    Posted on by Brian Dubé

  • The Copper Cowboy

    Posted on by Brian Dubé

    The copper cowboy is one of the many living statue performers who can be seen around NYC. Actually, living statues are now a worldwide phenomenon, with annual competitions in Arnhem (Netherlands), Laguna Beach, CA, and Portugal. I have generally seen this as an exercise in stamina and masochism (with all that body paint and hot summer days) but not particularly creative or interesting – most performers get attention primarily from the novelty factor to the uninitiated. However, after looking at various sites online, there are some ambitious attempts.

    Like many of the living statues, the copper cowboy concept has been done by more than one individual – online searches for “copper cowboy” leads most often to Jon Mitchell of Hawaii. I imagine the concept was inspired by the copper/cowboy connection of the old West. There was a lot of memorabilia created using copper – cowboy hats, boots, etc. Most of the living statue performers remain motionless for hours at a time, with a container placed in front for donations. Some become animated from time to time, with mime routines. The copper cowboy in the photo made occasional sounds using a concealed mouth whistle accompanied by various short body movements…

    Posted on by Brian Dubé

  • Street Magic

    Street performing has declined substantially in NYC since the 1970s-80s. At that time, one could find many acts performing simultaneously in the parks and in the evenings on the streets themselves. I have heard a number of explanations for this decline: territorial aggressiveness (and resulting intimidation) by some acts, increased cost of living in the city making it difficult to survive on the income from street work, and perhaps a cultural shift, with fewer people looking for alternative work styles.

    Ramon is one of the best street performers working in NYC. He is a closeup magician with an excellent persona – funny, strong presence with a take-charge style, appropriately aggressive, but never abrasive. Fundamentally likeable. His act is crisp and professional, never dragging. Click here for his website. He is seen in this photo in Washington Square Park working with an audience member (who happens to be a friend). Click here for more photos.
    We have been having a “heat wave” in the city as of late with temperatures reaching the 60s. So, of course, everyone has been out to take advantage of the the last warm days before winter – performers, residents, and visitors. A street show is one of perks of being in the city, adding to the enjoyment of a beautiful day…


  • Palehorse Productions

    There have been many street performers in NYC. This small troupe, who describe themselves as a bizarre commedia dell’arte circus, was in fine form. I was particularly impressed by their costuming and staging – a lot of work and creativity, and quite sophisticated for a nomadic street act.

    Palehorse Productions is a close company of actors/dancers/craftsmen, who play the roles, build the sets, sew the costumes, and clean the mess: most of whom have been collaborating since childhood.” The photos are from their current show, which they describe as an original adaptation of FAUST, which steals from Goethe, Marlowe, and from the traditions of English morality plays, Eastern European and German puppet-FAUST farces, and even PUNCH AND JUDY. It was performed under the guise of Maestro Mephistopheles’ Theatro-Zirkus-Show. The dialogue was quite snappy. I recommend checking their website for more information about the company, its productions, and actors. And if you get a chance to see them, I recommend it…


  • One-Man Band

    Jord Jayrodin Peck is an itinerant one-man band. I was fortunate to meet him twice,  the first time at night (with no camera). This photo was taken in Union Square, where he was discussing his run-ins with the law. Click here for more photos. He was prevented from playing, having been told that his drums were amplified instruments (?). It’s sad in the city to see people like this ticketed while drug dealers sell their wares with impunity because they know how to work the system.

    He plays several instruments simultaneously – two drums, each connected to the back of one foot via a cord, cymbal sets from his arm and wrist, harmonica, and guitar. I did get to see his street performance on the first night – everyone was really impressed with his talent. The expectation was that his show would be gimmicky, but his musical interpretation and performance were excellent. I recall a nice rendition of a Dylan song. I was told that his repertoire is somewhat limited – quite understandable. Jord has to work out the arrangement for all of his parts. I wish him luck in his endeavor and that the raw, untamed, unbridled energy of youth will keep him going in the face of adversity…


  • Pink Ladies

    The Pink Ladies are very pink and draw a lot of attention – I found them very charming. They are part of Theatre OUF!, a New York-based theatre company whose members hail from France, Switzerland, the Netherlands, Canada, and the United States. Click here for another photo. Under the direction of Helene Deme Elzevir, the company devises original works of theatre through improvisation and physical action. The members’ training ranges from the Barnum Bailey Clown College to the Ecole Jacques Lecoq.

    The Pink Ladies declare themselves members of the worldwide PINK ACADEMY, whose mission statement is “to save the world and bring happiness to people all over the planet by spreading fake moustaches.” Their current work is Pinktown, On the Loose on the streets of NYC. Every Saturday from 9/23 to 11/25 (2006), sometime between 3PM and midnight, the Pink Ladies will perform somewhere on the streets of NYC – clues to their location, travel route, and times will be posted every week on their website. I imagine they’ll be easy to spot 🙂


  • Circus Amok

    Since 1989, Circus Amok has been performing its circus/theater free in parks and public spaces in the boroughs of NYC. Circus Amok is an amalgam of traditional circus arts with political theater. Each year’s production has a new, loosely defined sociopolitical theme around which its wild acts are created, all with their caustic brand of humor. This year’s show was entitled Citizen-Ship An Immigrant Rights Fantasia in 10 Short Acts. And yes, that’s a real bearded lady in the photo – Jennifer Miller, who is director of the company. She previously worked in the Coney Island Sideshow.

    I appreciate the creative talent, dedication, and hard work of this non-profit traveling show – juggling, acrobatics, stiltwalking, clowning, large scale puppetry, dance, and theater accompanied by their own 7-member live band. If you want to see a Circus with EDGE that thinks out of the box, plan to see them next year – this was their last show of the 2006 season…


  • Cello

    The cello is a beautiful instrument, not only in the sound it produces but also in its graceful design. I have some bias here – I do own one and did study for a very short time. But just mentioning the instrument always seems to elicit the cliched response, “Oh, I just love the cello.”

    Peter Lewy plays the streets regularly in New York, and these photos of his cello and his playing are the result of my chance encounter with him again in the evening under the Washington Square arch. If you are interested in learning about the instrument, click here for an in-depth article. Peter is an accomplished professional – check out his website here. The cello is very close in range to the human voice – perhaps this is part of its appeal…


  • Singing Bowls

    Perhaps you have rubbed your finger around a wine glass and created a tone? There is an entire world and ancient history of “glass music” with a class of instruments called idiophones. These include musical glasses (Verrillon/Seraphine), glass harp, glass armonica, verrophone, etc. (if you are unfamiliar with these, I highly recommend reading some of the links – the entire world is just fascinating). Included are various types of singing bowls – Tibetan singing bowls are typically made of metal, but glass/crystal ones are also used.

    An entire renovation of Washington Square arch was recently completed, including the installation of some huge, high intensity ground lights. These create a unique environment for performers at night. I recently saw Wendy and Aaron performing there (using the name Dievolve). The illuminated crystal singing bowls created a beautiful effect.
    I have included a video; the first part is of Wendy on the crystal bowls and Aaron on a metal one, and the second part features Aaron playing guitar with an aggressive, angry style with Wendy producing her haunting tones. I thought the combo was quite nice in person – I hope it translates in the video clips I have provided…


  • New York State of Mind

    Posted on by Brian Dubé

    I saw these two people (Kevin and Danny) for the first time last summer – people just stopped in their tracks, astounded by the tremendous natural quality of the singer’s voice. I have been looking forward ever since then to seeing them again, so when I caught them recently, I took the opportunity to take photos and a video of one entire song they did: 634-5789 – an old standard covered by many such as Wilson Pickett. Some of the singer’s renditions of classic soul were really awesome.

    I understand that they are regulars in the subway system at Times Square (a popular venue for many musicians). Appropriately, they are calling themselves New York State of Mind. I hope they get “discovered”…

    Posted on by Brian Dubé

  • Not So Kleine

    Posted on by Brian Dubé

    One of the great strengths and joys of NYC is the music scene. Home to some of the greatest and most diverse venues in the world: from the Metropolitan Opera, Carnegie Hall, and Madison Square Garden to small clubs like the Village Vanguard, the Blue Note, Irving Plaza, CBGB, the Knitting Factory, and the Mercury Lounge. And then there are the music schools, some of the finest in the country: Juilliard, Manhattan School of Music, Mannes School, Third Street Settlement…

    And then there are the streets and parks. I am constantly amazed at the quality and sophistication one can find right on the street. Many are students from the fine, aforementioned schools, which I imagine these in the photo are. This was shot at Bethesda Fountain in Central Park. I included a short video of them playing Mozart’s Eine Kleine Nachtmusik.

    Many, many musicians move to New York just for the opportunities, but be forewarned, the competition is very tough and the city harsh – New York spits artists out as fast as it sucks them in.

    Posted on by Brian Dubé


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