• That Last Ball

    I moved to New York City in 1969 to attend NYU as a mathematics major. It took very little time to realize that a career as a mathematician would be a high road, reserved for the crème de la crème and not for a boy from a small town in Connecticut who fancied himself to be a math whiz. I dabbled in other curricula, and in my third year, disillusioned, I dropped out.

    I did various odd jobs, and by 1975, I was very underemployed. And bored. My Siamese cats were bored also. I purchased three small hollow plastic golf balls sold as cat toys. My cats, as they are prone to do, showed no interest in commercial cat toys, preferring to play with anything else, particularly things verboten.

    Frustrated with my useless purchase, I decide to try and JUGGLE the three balls, but to no avail, reminiscent of my childhood, when I would occasionally try to juggle batteries taken out of a toy. But I was curious and decided to put closure to this childhood fascination. I purchased the only book in print on juggling at the time. In its pages, I was informed that a juggling ball needed proper size and weight and that, in a pinch, even the clichéd oranges would suffice. A trip to the refrigerator, and voila – my efforts at learning three were met with an immediate improvement.
    Soon, I located the only juggler listing himself in the yellow pages: Jay Green, a jewelry engraver and professional juggler. I visited his studio in midtown Manhattan. There, he demonstrated his extraordinary juggling talents.  Right there, on that day, my love and romance for the art of juggling began.

    Before leaving, he informed about an ongoing workshop in Wall Street. I attended the workshop regularly and discovered that there was a dearth of readily available equipment for juggling. I began making for myself, and soon a business was born. You can read the entire story here.
    In a way however, I find that success stories, including my own, can be a bit boring; behind every success, there is always a story, and unless one comes from money, traced back far enough, behind every example of someone with more, there was a time with less, usually much less – Warren Buffett delivering newspapers, or Steve Jobs as an adopted child and college drop out.

    In New York City, there are many failures, infinitely more than the successes. The city is built atop business failures. The plethora of retail store closings boggles the mind. Heartbreaking efforts, determination, and stamina against all odds with closures and bankruptcies nonetheless. Millions invested, millions lost. Beautiful retail spaces created, only to be ripped out months later. I see it every day. Often, the road to failure is as interesting and harrowing as that to success. But people need inspiration, not discouragement, and the details behind the failures, unless part of a longer road to success, largely remain untold.

    Recently, rummaging through my desk at my office on lower Broadway, I found one of the original cat toy balls, shown in the photo. Sadly, it is the only one remaining of the original set of three, the other two lost or misplaced and not seen in years, a reminder that material success and personal good fortune are fragile and fleeting, as easily lost as gained. Perhaps a metaphor for tenacity and good luck in business, I have been hanging on tight to That Last Ball

    More on my juggling business: Luck of the IrishSmile by Fire, Not Of Them, Please Rub Off on Me, Just Like Steve Mills, Think Big, On the Road, Really Smart Guys, Fish and Ponds, Kind Words, Signature, Spinning, Juggle This


  • The Catman

    At one period in my life, I was on a virtual one-man crusade to promote cats. I had books on cats, frequented cat shows, had a number of cat sculptures, and subscribed to Cats magazine. And, of course, I had cats. Many over the years. My breeds of choice were Siamese, followed by Abyssinian, which, with its agouti ticking, is arguably the most feral looking of the domestic cat breeds.

    I trained my cats, even getting a female Siamese to tightrope walk a narrow stick spanning two bookcases seven feet above the floor. I toilet trained two cats when there were no products for such. After my own success, I learned of a video on toilet training cats. Curious to compare notes, purchased it.
    Subsequently, I was interviewed at my office. The writer told me that he had contacted the vendor of the video in order to make contact with someone in New York City who may have actually trained cats. In actuality, I was duped in the 1990s by a writer for the Wall Street Journal who purported to be researching for an article. He was secretly working on an instructional BOOK on toilet training cats and had come to pick my brain. I also hoped to make and sell a kit, but soon after, such products became available. Even to this day, many are surprised to hear about the training of cats – understandable since, as any cat owner can attest, cats are difficult to train.

    For years, I had a business customer who had the stage name Dominique the Catman. It was years before I learned in conversation with him that he had an act of trained domestic cats that performed regularly in Key West. I was absolutely AMAZED to learn of what he had done and astounded to finally see on video the act he had put together. Much later, I learned of the Moscow Cat Theater, a show that has toured worldwide and made a stop in New York City in 2005.

    For some time, I have hoped to capture an alley cat in New York City. Here, however, as everywhere, cats are elusive and skittish. Invariably, by they time my camera is taken from a bag or pocket and readied, my quarry is fleeting or gone.

    Recently, I was able to photograph a black cat. This was however, a residential neighborhood in Bay Ridge, Brooklyn, and this cat was likely an outdoor cat, not a stray. Like any seasoned New Yorker who has established him or herself, this feline looked like he had found his comfort zone in Brooklyn.
    I used to talk to my cats, and one in particular I sometimes called Mr. PhD in Comfort. When not on the prowl for food, cats seek comfort, and I often found mine basking in the rays of the sun streaming through a window or resting in my home’s most comfortable spot, which also happened to be one of my most valuable books or articles of clothing.

    The character of the cat shares much with the New Yorker who has succeeded making a life here. Alert, clever, cautious, resourceful, adaptable – she’s the Catwoman and he’s The Catman 🙂

    More animals: Drooling and Slobbering, That Should Cover It, Blessing of the Animals, Water 4 Dogs, Lost in that Wool, Pet Pride Parade, Bronx Zoo, Warm and Fuzzy, Ambassadors, Kitty, Parrots, Rain Forest, Feeding at the Zoo, Baby and Merlin, a la Chien, Gull, Dachshund Octoberfest, Snake Charmer


  • Sixth Anniversary

    New York Daily Photo started on March 17, 2006 – there have been nearly 2000 postings to date. As in the previous anniversaries (see links below), I have put together a collage of 48 photos from the last 12 months, featuring many favorite postings of mine and visitors to this site. I have assembled a wide a spectrum of photos in keeping with the spirit of this website – street life, festivals, architecture, special people, food, vistas, music, nature, local businesses, the unusual, the lesser known, and the whimsical. Thanks to all of you for visiting and reading 🙂

    Anniversary Postings: First Anniversary, Second Anniversary, Third Anniversary, Fourth Anniversary, Fifth Anniversary


  • Luck of the Irish

    Tomorrow is St. Patrick’s Day, and in reviewing my postings going back to the inception of this website, I was surprised to find that I have neither done a St. Patrick’s Day feature nor attended the St. Patrick’s Day parade.

    More surprising was that the very first posting of this website was on March 17, 2006, on Vesuvio Bakery, a New York City icon (closed and reopened as Birdbath Neighborhood Green Bakery). How absolutely bizarre that until today, I never realized that 1) the anniversary date of New York Daily Photo was St. Patrick’s Day and 2) the choice of the distinctive green exterior of Vesuvio Bakery for my very first posting was never intended, but entirely accidental. In six years, no comment was ever made about the green color of the bakery’s exterior and use of the photo on St. Patrick’s Day.

    My company also decided to pay tribute this year on our business blog. Our social networking consultant has, on occasion, been theming our product line for various holidays. The bottom photo is his interpretation of the classic Irish shamrock created entirely by selecting green colored juggling props from our product line. Our thanks to Kyle Petersen for his design and execution.

    Although my understanding has always been that my ancestry was entirely French, my first name is Brian, one of the most popular names in Ireland. The choice was never adequately explained by my mother – there was some rumor of a strain of Irish lineage. Perhaps the rather fortuitous occurrences surrounding the inception of this website on St. Patrick’s Day, the serendipitous choice of Vesuvio with its bright green facade, and the reopening with Green in the bakery name is somehow all related to the Luck of the Irish 🙂

    Posts on St. Patrick’s Day: Little in the Middle, Shrine to Kitsch


  • They

    As I stood one morning in front of Vesuvio’s, which had closed for business, a woman approached me and was horrified. She expressed extreme dismay that such a legendary, iconic merchant would go out of business in New York City. How could such a thing happen? Why would anyone let it happen? Something must be done. They are pushing all the small businesses out.

    The concept of They has become a private joke between a friend and myself. Unlike Chuckles, They are a much more insidious threat. Their tentacles extend far and wide. They are responsible for all the economic problems, as well as many other ills in New York City and in the country at large.

    But one of the specialties where They are most often spoken of is in regards to the closing of small businesses. It is here, where the closings sometimes appear to be inexplicable, that their demise is attributed to the hand of a ubiquitous mysterious group called They.

    They, in this case, are the landlords, who we know gather and conspire late at night to selectively close legendary businesses and replace them with chain stores. They do this not just for monetary gain, but apparently to also deliberately ruin the character of New York City. To sanitize, homogenize, and make it nondifferentiable from the suburbs, turning our avenues and streets into strip malls.
    Of course, the reality is that displacement is a function of market forces. Landlords capitalize on improved conditions and raise rents. Most landlords would prefer to retain tenants – there is less loss of income during vacancy and no concessions typically given to new tenants. But, in rapidly gentrifying areas, few small merchants are able to afford extraordinary increases. They vacate to newer businesses, often national giants, who can pay these rents.

    They were at it again when the Village Gate, a Greenwich Village Landmark, closed in 1995. To add insult to injury and inflict the greatest humiliation, the space was taken over by a CVS Pharmacy. (Actually, most of the long-time NYC residents I know prefer CVS over Duane Reade.) On September 22, 2007, I wrote Izzy and Art, about my meeting with two legendary forces in the New York City music scene.

    Art D’Lugoff opened the Village Gate in 1958 at 158 Bleecker Street, where it occupied the ground floor and basement. The club was housed in the large 1896 Chicago School structure by architect Ernest Flagg, a flophouse for transient men, known at the time as Mills House No. 1. 1500 rooms overlooked either the street or two interior grassed courtyards. In time, the courts were skylighted and paved. The property became a seedy hotel, the Greenwich. In 1976, the building was converted to condominium apartments with balconies, the Atrium.

    Throughout its 38 years, the Village Gate featured such musicians as John Coltrane, Coleman Hawkins, Billie Holiday, Duke Ellington, Dizzy Gillespie, Thelonious Monk, Sonny Rollins, Tito Puente, Wynton Marsalis, Nina Simone, Herbie Mann, and Aretha Franklin, who made her first New York appearance there.  The club hosted a benefit concert for Timothy Leary in May 1970 which featured performances from such counterculture luminaries as Jimi Hendrix, Jim Morrison, Noel Redding, Johnny Winter, and Allen Ginsberg.

    The venue was also host to a variety of shows over its lifespan. Jacques Brel is Alive and Well and Living in Paris debuted at the Village Gate in 1968. From 1971 to 1973, a musical comedy revue called National Lampoon’s Lemmings worked there, and in 1974, “Let My People Come” opened at the Village Gate Theater. From 1988 to 1991, the improvisational comedy troupe Noo Yawk Tawk performed at the upstairs theater.

    Today, the Village Gate sign still remains, the only remnant that They left…

    Related Posts: Not Enough Dough, It Hurts Me Too, Color of Money, Gorillas and Cookies, Jeopardy


  • Just Like Them

    On Sunday, I was with friends hooping in Washington Square Park. The park was jammed, as is always the case when Mother Nature bestows on New York City the gift of unseasonably warm weather. At times, we felt besieged by parents with strollers and double strollers. It felt like we had entered a new era where children come only in pairs. I have never had children, however, I am not a childless adult who is militantly anti-children with a shopping list of negatives to bolster my case against them. I wrote about this at length in The Last Taboo.

    At one point, two girls rushed up to us, proclaiming that they too could hoop. In seconds, Angeleena (5 years old) and Victoria (8) Cordero began to hoop furiously as the hoops became objects caught in the winds of two small tornadoes.

    I was charmed beyond comprehension by these two little girls, so much so that I approached them and their mother and told them that if they would like to come to my showroom, I would custom make them two hoops for free in exchange for taking photos and videos. Their mother readily agreed as the girls squealed in delight. The question remained whether they would actually show up and take me up on my offer. They did.

    Yesterday, shortly before 6PM, the two girls and their mother arrived, and my showroom was lit by the charms of Angel and Victoria. They immediately went into gear hooping as I scrambled with my staff to fire up our video cameras and begin recording:

    As small as they were, they were capable of hooping any size and weight hoop that we had in our showroom. We narrowed down a size and weight most appropriate for them and then let them choose colors. A short time later, my production team completed their new hoops. So well behaved and appreciative, as they jumped for joy receiving their gifts, they simultaneously thanked me profusely while giving me the most genuine thanks and hugs a child is capable of.

    I could no longer resist the charms and kissed Victoria on the head. They made my day. I told them that I never had children, however, if I were to, then I would want children Just Like Them.

    More on kids: Kids, Heart Warming, Little Burnt Out

    Want to learn more about what I do for a living? Check out Shop Class, Smile By Fire, Not Of Them, Please Rub Off On Me, Just Like Steve Mills, On the Road, Supercute!, Viktoria’s Secret, Signature, Spinning, and Juggle This, as well as my websites for my juggling equipment and hoops.


  • Listen for the Drone

    This street sign was pointed out to me by a fellow friend and photographer. It has created a small stir and is the perfect fuel for those who like to believe that the age of Orwell’s Big Brother is coming soon or has already arrived. Civil liberties advocates are running with this, and the Internet is abuzz with articles and comments/opinions as to the seriousness of this intrusion into the privacy of civilians by the use of UAVs (Unoccupied Aerial Vehicles).

    However, it is not clear that these signs are actually the work of the NYPD, and the stir is going as planned. According to an article in the New Yorker on January 23, 2012 by Nick Paumgarten, the signage is the work of a 28-year-old photographer in Manhattan who had served in Iraq as a geospatial analyst for the army. He’d worked with satellite and drone images to provide maps for troops on the ground.

    After his discharge from the Army, he became a radical art school student who was dismayed with the Army’s use of drones to kills militants in Afghanistan and Pakistan which were being tested on home soil. From the article:

    He found a municipal sign manufacturer in a state far from New York, so as not to raise any alarm, and ordered a series of drone-alert parking sings that he’d designed to look as if they’d been issued by the NYPD. Very late on several nights a few weeks ago he set out with a crew of five to install the signs in SoHo, the West Village, Chelsea, Dumbo, and Williamsburg. Two of them did the installing, the others were on the lookout. The had walkie-talkies and, since they were on an open frequency, communicated in military code.

    Eleven such signs were installed – some have disappeared quickly, while others remain. References to the New Yorker article populate the Internet alongside assertions that the signs and threat of the use of drones for civilian monitoring is real. Comments are dominated by alarmist reactions, as would be expected.

    If the work is not that of the NYPD and by an activist, I am puzzled as to why these signs would remain prominently posted. I called the local precinct, and they seemed unaware of the signs and not particularly alarmed. The community affairs officer said that if the sign bothered me, I should take it down. When I asked regarding the legality of posting signs appearing to be those of the NYPD, she mentioned freedom of speech. I have no intention of attempting to remove a sign prominently located on Washington Square North and 5th Avenue and test the law. But I will occasionally look up and Listen for the Drone 🙂

    More signs: $57.50 (Part 1 and Part 2), Eyes on the Signs, Asbestos Sticks, Martin Luther King, Jr., No Students After 1, WFF ‘N PROOF, Small Achievements, ArtKraft Strauss, Dead or Alive, Store Policies, Advertising Gone Wild, Colossal Missbehavior, Pepsi-Cola in Neon, Vintage Mural, One Hour


  • Happy Birthday

    There are microcosms of New York City that outsiders and even residents will likely never see. Most of these are cultural, revolving around ethnic enclaves. It is even possible to find cock-fighting within the five boroughs.

    Perhaps more than any other place in the United States, New York City’s tremendous diversity and tolerance allows for strong ethnic tradition expressed through food, dress, activities, music, festivals, and religious practice. Jackson Heights, Queens, is considered to be the most ethnically diverse neighborhood in the world. Not only can vastly different groups coexist, but those with very distinctive dress and traditions can also easily thrive here unfettered and without fear of ostracism. Hasidic Jews, Islamic women, Indian women in saris – the list is endless in a city where, on any given day, it would be easy to think that one had happened upon an annual multicultural parade.

    One of the biggest elements in any cultural milieu is, of course, food, and there is no more accessible window into the life of an ethnic group than restaurants catering to that group. Recently, I visited the New Corner restaurant in Bay Ridge, Brooklyn, with a friend, born and raised in Bay Ridge. This was a nostalgia event for her and a curiosity for me to eat in a place that felt like the exclusive territory of Italian Americans from Brooklyn. There was a very local crowd of patrons.

    The restaurant has huge dining rooms, very conducive to large groups. The night I ate there, we were virtually besieged with one birthday celebration after another. The Colandrea New Corner Restaurant was celebrating its 75th year. Appropriately, the perfect place for a Happy Birthday 🙂

    Related Posts: Brighton Beach, Vlissingen, Other Worlds, Sahadi’s


  • A Blank Slate

    Posted on by Brian Dubé

    I once had a long discussion with a woman making the case for creative writing being so much more difficult than writing commercial copy. I had been slaving over writing catalog copy for our product line, and it was excruciating to say what I wanted in the space allotted. I disagreed with her viewpoint and countered that the constraints and parameters of writing advertising can be extremely challenging, more so than writing fiction. She said it could not compare to writing a novel, where you start with a blank slate.

    True, but there is no law that says that the results of a blank slate which has been filled by a fine artist is more creative than a piece of advertising meeting a host of requirements. Artistic brilliance or lack thereof can be found in fine arts or commercial art.

    New York City is a mecca for artists and art schools. Anyone here long enough will be exposed to art at various levels – galleries, art students, and working artists in every genre: writing, painting, illustration, sculpture, film, TV, video, architecture, dance, and music. We are blessed with numerous well-regarded schools – Juilliard, Manhattan School of Music, Mannes, Parsons, SVA, and NYU Film, as well as world-renowned venues, such as Lincoln Center and Carnegie Hall.

    However, everyone has got to earn a buck, and whether born of necessity or by choice, much of the world’s artistic talent finds work outside fine arts, either in commercial art or in jobs unrelated to art altogether. It is the rare artist that is able to support him or herself through fine art alone. Very serious talent is funneled into the commercial arts and media, and I am never one to disparage genres such as TV. Writers for comedy and TV often hail from some of the finest schools, and networks such as HBO are showcases for artistic talent that compares creatively to fine film.

    Here, on Greenwich Avenue in the Village, is a spectacular window display at the Rizza Hair Salon. Behind this work, there is likely an artist applying his or her talents and expressing him/herself given the constraints of the shop owner’s needs. It’s creative and well done, even though he/she likely started with more than a blank slate 🙂

    More on art and artists: Leave It to the Critics, Mark Birnbaum (Part 1 and Part 2), Creative Expert, So Where’s David?, Finger Painting, Fusion Arts Museum

    Posted on by Brian Dubé

  • Catch the Worm

    Posted on by Brian Dubé

    It was an invaluable lesson, but at that hour of the morning, I did not want a lesson. I wanted desperately to sleep. Oh Lord, I would do anything for sleep. The last thing I wanted to hear at that ungodly hour were diatribes about early birds and worms.

    It was the late 1960s, and I needed a summer job. Unemployment was at record highs, and there were no jobs. So my father was able to arrange a summer job with his construction company. There was, however, a small hitch. It was located nearly 20 miles from home, he worked nights, and I had no vehicle. We were able to find someone in town who was traveling to work in the mornings to one of the companies’ other facilities. So, this meant 3 rides – the first to the man’s home, then a ride with him to one company location, and finally, a ride with a truck driver going to my final destination. This series of rides required getting up early. Real early.

    My ride with the older man was torturous. I tried to nap, which he found comical and amusing. His need to lecture prevented me from sleeping. I was a captive audience with no options but to listen, struggling to keep my eyes open. The only thing I remember is his admonition that EARLY BIRD CATCHES THE WORM. But I was not an early bird, saw no value in being one, and had no interest in worms. Let others have the worms. Please, TAKE ALL THE WORMS AND LET ME SLEEP.

    Much later in life, I came to learn the value of being an early riser and the joy in that quiet time before the morning rush. Although in a city like New York, there are certainly different styles, I also began to see rising early as one of the traits of the aggressor and as one key to many’s success.

    Growing up in New England, I was certainly blessed with an array of bird species. However, the aggressors made themselves most well-known – crows, starlings, sparrows, and bluejays. But in New York City, in the harsh, competitive environment, the aggressors and survivors dominate.

    Here, many of the birds which I see most commonly are the aggressors that I saw growing up in the countryside: starlings, sparrows, pigeons, and the occasional crow. However, today is the first time I recall ever seeing a bluejay in New York City. Bluejays are noisy and notorious trouble makers. They are aggressive to humans and other birds, which they have been known to attack or kill. They also have a reputation as thieves, stealing the eggs, chicks, and nests of other birds. Sounds like the character traits of many New Yorkers.

    Diligent birders keep logbooks of their sightings. My logbook is one of aggressors and survivors and includes salesmen making cold calls, lawyers, real estate brokers, investment bankers, street hustlers, businessmen, rats, pigeons, squirrels, cockroaches, and those who look well -uited and/or have adapted for city life. Today, I round out my collection of sightings with the bluejay.

    Be it birds, plants, animals, or people, the meek do not inherit New York’s earth, only the aggressors and survivors. On April 9, 2006, I wrote New York Survivor about the London Planetree, a good example of a survivor in New York City’s Sieve of Darwin.  It was, appropriately, on a London Planetree, that this morning I sighted my first bluejay and that he, like New York’s other aggressors, was up early, ready to Catch the Worm 🙂

    It’s hard, but worth it. Read more of my take on city life in Unforgiving, Ye Who Enter Here, Steaming Masses of New York, I Know, Jungle Lovers, and Dwanna.

    Posted on by Brian Dubé

  • See Chuckles Make The Rounds

    Posted on by Brian Dubé

    There is an invisible persona in New York City that I don’t like at all who is named Chuckles. He can be found in smug company, briefly possessing each individual. Have you witnessed deliberate and merciless humiliation of one person by a group and the ensuing laughter? Then you have been privy to See Chuckles Make the Rounds.

    There is a kitchen scene in the film Diary of a Mad Housewife with a husband, wife, and two daughters who live in Manhattan. The husband, brilliantly acted by Richard Benjamin, plays the quintessential arrogant, pompous ass. His wife, who makes an innocent slip while speaking, is made fun of in the cruelest of ways – her husband repeats the slip to the daughters, encouraging them to laugh at and mock their mother along with him. Just a movie and inconceivable in the real world? Not at all. This was only to be my first introduction to the world of the smug, where I would See Chuckles Make the Rounds.

    I was at the home of a girlfriend’s family during a holiday season. Her sister was not as academically inclined as her husband or his family. During the dinner, there was talk of birds and birding, something which the husband and his family were particularly interested in. The wife, in a genuine and social spirit, pointed out a bird, visible through the dining room window. She had, however, misidentified it and was immediately mocked by her husband and his family as they took turns laughing at her in front of a table full of people, including their children. It was excruciating to see her humiliated so openly. I felt so badly for her. Unfortunately, it would not be the only incident in that family where she would be made fun of and where I would See Chuckles Make the Rounds.

    It is a particularly painful memory for me as the incident was much too close to the scene in that film, forever burned in my mind, now reinforced by a live reenactment. To this day, someone identifying a bird brings back this incident, as does any interaction of parents and children laced with smugness. I wonder what the impact of such behavior will be on children who are subjected repeatedly to arrogance, abuse, or any other socially unacceptable behaviors by their parents. Are not the parents role models to learn from?

    There is no better place than New York City to find pompous asses – the arrogant, elite, super-rich, overachievers, over-educated, super-successful, overconfident, and smug. And sadly, here, perhaps more than anywhere else, we have a large number willing to wield their enormous talents and achievements as tools in executing the most despicable behaviors aimed at humiliating others. To be expected in a city where it feels like everyone is an Ivy League school graduate and working as an attorney, medical doctor, or in finance at Goldman Sachs.

    Recently, I sat adjoining the table of a family in a neighborhood restaurant (seen in today’s photo). Although not at the level of the film scene or my birding incident, the interaction was disturbing nonetheless. It barely resembled a dinner – it was more like a meeting of the urbane sophisticates.

    The preteen daughter was much too sophisticated, fully acting as a mature adult. When her father arrived, she put her arm awkwardly around his SHOULDERS, and asked how his day was. She did this like a wife or business colleague, not as his child. As they chatted, she listened attentively. Movements and etiquette were proper, with an air of unnecessary formality. The entire meal seemed to be an exercise in properness and one-upmanship.

    Her mother recounted for her husband their daughter’s misstep in referring to something as Medieval that was clearly was not of that time period. I felt badly for the daughter who had to maintain the standards and composure of an adult and worse, be made fun of by her parents. Our invisible friend had arrived. I was not pleased to See Chuckles Make the Rounds 🙁

    Meet another pompous ass in Meetings With Annoying Men (Part 1 and Part 2).

    Related Post: Anything Except First Place Is…

    Posted on by Brian Dubé

  • A Furrowed Brow

    Posted on by Brian Dubé

    I was walking with two friends, touring them by what I felt was the most beautiful prewar building in Greenwich Village: 43 Fifth Avenue. This architectural gem is a grand and elegant 1903 Beaux-Arts building which sports a distinctive mansard roof. The property just screams PARIS. I have learned that this building is not just my little secret but also, in fact, highly coveted. There is little turnover/availability of apartments, and a number of celebrities, past and present, have called it home.

    At the time, an entire floor was available at the unfathomable price of $17 million dollars (reduced from $25 million). That’s a lot of money for an apartment. It does however, buy you 13 rooms – 5 bedrooms, 4 1/2 baths, and everything imaginable, even with a recording studio.

    On the same evening, we strolled down my favorite block in the center Village: 11th street between 5th and 6th Avenues. As my friend Bill, also a long-time Village resident, and I concurred on the number of reasons that made this block special, a For Sale sign appeared for a small, exquisite townhouse. I joked that he and I would be buying the building in partnership, splitting the floors, and that he look up the price immediately on his iPhone. A quick search of the broker’s listing returned the bad news very quickly: asking price, $14 million for the small townhouse.

    And so it goes in Manhattan. Many non-city residents, accustomed to the idea of owning a house, are unaware that this cornerstone of the American Dream – private home ownership – is essentially unattainable here except for a very few who are able to come up with 10-40 million dollars. Even in the outer boroughs, single-family homes are quickly becoming unaffordable for any except the very well heeled. With few apartments currently under one million dollars in Manhattan, these prices for entire townhouse should come as no big surprise.

    So sales of these homes have become newsworthy events, often purchased by notables. Spending time at the Central Park boat pond years ago, I learned that Woody Allen had decided to join the ranks of home ownership, making the move from a Fifth Avenue penthouse apartment to the purchase of a property at 118 East 70th Street. From a Streetscapes article by Christopher Gray of the New York Times:

    In 1939, Fortune magazine called it “probably New York City’s most beautiful residential block,” and Paul Goldberger, in his 1979 book, “New York: The City Observed” (Random House), described it as having “a perfect balance between individuality and an overall order.”

    Regarding the property purchased by Woody Allen in 2006 for $26 million:

    The neo-Georgian house at 118 East 70th was designed by Trowbridge & Livingston in 1900, with a spectacularly wide fanlight; the rippling surface of the glass dances and glistens in the sun.

    So I toured the block in 2006 to see for myself what all the hoopla was about and why this one city block, between Park and Lexington Avenues, has been considered by some to be one of New York City’s finest. Today’s photos are from that visit. At the time, construction was under way on Woody’s house (lower left and center photos).

    I know what many of you are thinking. Manhattan is a very nice place, and 70th Street looks like a very nice block, but $26 million for a small house? Even as a long-time resident of New York City, and inured as I am to the lust for this borough and stratospheric prices, I share A Furrowed Brow 🙂

    Related Posts: Old New York (Part 1 and Part 2), The Feeling Passes, When Worlds CollideAir Rights, 121 Charles, Grove Court, The Dakota, Kerbs Boathouse

    Posted on by Brian Dubé

  • Dennis Is Going to Kill Me

    Posted on by Brian Dubé

    If you have read my story Jungle Lovers, then you know that I was quite unimpressed with the “guidance” I received in high school. There was little to no preparation for anything – no Kaplan tests, no Internet. I had already completed my years at NYU before I even learned what prep schools were. Certainly preparatory schools predate my high school years, and there were many fine examples of such where I grew up in New England. However, such places were certainly not something a working-class family would even be aware of, much less consider for a child’s attendance.

    More disappointing, particularly for someone academically inclined as I was, is to learn the reality of admission to America’s top colleges and universities. It is not strictly a merit-based system. Most applicants to the Ivy League universities are well-qualified to attend. In Crashing Through Knowledge, I recount an incident where an upperclassman I met was so disappointed with his rejection from Harvard.
    There is no question that prep schools send a much larger percentage of their student body to top schools. From a 2010 Forbes Magazine article, “America’s Best Prep Schools”:

    In the past five years, Trinity School sent 41% of its graduates to the Ivies, MIT or Stanford. On average our 20 top schools sent nearly one-third of their graduates to those 10 schools. (In contrast, less than 0.01% of all U.S. high school graduates ended up in those schools in 2008, according to the U.S. Department of Education.)

    With this type of track record, the scramble to get into top schools starts as early as kindergarten or earlier for parents fixated on seeing their children on the best career track. The Dalton School, one of the highest rated prep schools in the United States, is located in Manhattan’s Upper East Side. It occupies three buildings, spanning all grades from K-3 (shown in the photo at 53 East 91st Street) and grades 4-12 at 108 East 89th Street.

    The Dalton School was founded in 1919 by the renowned progressive educator Helen Parkhurst. Parkhurst’s visionary Dalton Plan remains the keystone of the school’s progressive educational philosophy and is now the model for over 200 Dalton schools in other parts of the world.

    The school is iconic and has often been referenced in TV and film. A scene in the film Baby Boom with Diane Keaton illustrates the extreme preoccupation that many New York City parents have with getting their children into top schools, even nurseries. Here, at the playground with her child, Diane Keaton overhears a mother bemoaning her fate at having her child rejected from the Dalton School:

    Mother 2: What is wrong with you? You look awful.

    Mother 3: We heard from Dalton, Cosby didn’t get in.

    Mother 1 & 2: (in unison) Oh no!

    Mother 3: I’m so upset, if she doesn’t get into the right preschool, she’s not going to get into the right kindergarten, if she doesn’t get into the right kindergarten, I can forget about a good prep school and any hope of an Ivy League College.

    Mother 1: Honey, that is devastating.

    Mother 3: I just don’t understand it. Her resume was perfect, her references were impeccable. Dennis is going to kill me.

    More on education and schools: Read Between the Lines, Little Red, Meetings With Remarkable Men (Part 1 and Part 2), La Rentrée

    Posted on by Brian Dubé

  • Titillation of the Day 2

    Posted on by Brian Dubé

    The Anonymous Shoe

    Perhaps I should have a rule: if something in New York City is enough to stop me dead in my tracks, no matter how trivial it may appear, it is worthy of a photo and story. After all, it would be rather stingy to seek out photo ops and then, when something truly piques the interest of denizens of the city, share it only with other fellow New Yorkers, would it not?

    Yesterday, during the evening rush hour, on a highly trafficked intersection of Spring Street and Broadway, I encountered this woman’s dress boot and sock. Thousands just walked by it, leaving it completely undisturbed. But it was very, very perplexing. It seems unlikely that someone would lose one shoe and one sock. It seemed equally unlikely that someone would discard one shoe and sock.

    This was not a monumental occurrence but rather something so deliberate that it begged for attention. Was this another example of Lost and Found – the Hanukkah star cat I discovered in 2008 which appeared to be more deliberately placed than lost? If lost and left for the owner, it was in the least likely of places, New York City, where the prospect of finding or recovering lost articles, seems about as remote as humanly possible (see Area Code 714, Part 1 and Part 2). On March 15, 2011, in Titillation of the Day, I wrote:

    On December 26, 2008, in a story called Lost and Found, I told of my experience in Paris, where lost articles were often repositioned prominently in near where it was found, in hopes the original owner will return via that route and find it. Since that time, I have noticed this practice on the streets of New York City. It may come as somewhat surprising, but the more aware you are of this practice, the more likely you will notice it.

    I approached a woman nearby purchasing a cupcake at the Melissa window bakeshop and asked her opinion. She appeared to be equally confused. Another passerby commented that someone was trying to make a statement. When I remarked that it may be the subject of a story, he suggested “The Anonymous Shoe.”

    Related Posts: Front Window, One Size Too Small, Urban Road Warrior

    Posted on by Brian Dubé

  • Lobster House

    Posted on by Brian Dubé

    We were headed to Bar Harbor, Maine. I was a vegetarian at the time, and I had been forewarned by my travel companion, who was not, that there was a lobster place and we would be stopping. She had eaten there once before, and there was no way we were crossing the Trenton Bridge to Mt. Desert Island without a stop for lobster and steamers.

    She had told me that apart from the obvious – that they were on the coast of Maine, where lobster is world-famous – they also had a unique way of cooking the lobster, which she had found superior to any other method: boiled in fresh, clean seawater over a wood fire. They also avoided fried foods, a tasty, albeit unhealthy, way that most roadside shacks cook their seafood. I never did taste that lobster or clams…

    I, like so many, do love coastal and island destinations. One of my favorite destinations out of New York City is Cape Cod and the neighboring islands of Martha’s Vineyard and Nantucket. With seagulls cawing and flying overhead, a maritime air and distinctive grasses and trees along with the telltale sandy soil, the presence of the ocean makes itself known everywhere you go.

    And as with most oceanside locales, with the beach comes seafood, often fresh, local seafood. For those who eat fish, informal roadside clam shacks are one of the great joys of vacationing near the ocean.
    At the Cape, there are large visitor, local, and year-round communities, so clam shacks and seafood restaurants are ubiquitous. One of my strongest memories is Menemsha, a fishing village at the southwestern tip of Martha’s Vineyard. Fishing boats moor just steps from seafood eateries for the freshest seafood imaginable, eaten on the spot, sitting wherever one can, even atop lobster traps.

    In New York City, one will certainly need to set the bar lower and travel some to recreate the clam shack experience. A flavor of this kind of place can be found in places such as the beach communities of Brooklyn, Queens, and City Island, many with local fishermen. In 2009, I located the Stella Maris fishing tackle shop in Sheepshead Bay.

    I had traveled by Joe’s Lobster House in today’s photo a number of times while touring Staten Island. A bit put off by its location on Hylan Boulevard, a busy thoroughfare, I waited until recently before stepping in. It has the plain, down-to-basics, no frills decor of the classic clam shack. Fish is sold, along with sit-down restaurant service. Reviews are generally quite favorable, and I’ll have to go back a few times and try a variety of dishes to judge it fairly. It’s not the Trenton Bridge Lobster Pound on the Maine coast, a shack in Cape Cod, or Menemsha Harbor in Martha’s Vineyard. It’s New York City, and it is a Lobster House 🙂

    Posted on by Brian Dubé


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